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Next, it is time to begin builiding the neck for my guitar. This guitar will feature a one-piece mahoganny neck with a
"Spanish" heel. If you have ever played a Martin guitar, you know the type of heel that I am talking about.
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The first thing to do is cut the piece down to specifications. You may be able to see the pencil marks on the wood to indicate what those specs are. There is no sense it taking a big hunk of mohaganny and wasting a whole bunch of the material. Additionally, by doing a few different things, we can strenghen the wood in order to allow it to withstand the extreme force from the strings.
One thing that usually adds strenght to the neck is using a scarf joint for the headstock.
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Once the cut has been made, it is time to make the two pieces that we have ready for glue up. This is done by planning down both sides so that the pieces are flush when the are put together. If these pieces are not flush, then you will see a gap between the two pieces. Additionally, the stength of the neck will be comprimised.
Finally, it is time to glue up the head stock. The picture shows how we use a block of wood to
force the two pieces together. This is a very important glue up, so we use a lot of clamping pressure to make sure that the two pieces are tightly fit. After a few minutes, we flip the
neck over to view the other side. This is done so that we can make sure that the two pieces are firmly together.
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We then let this join tack up and sit for at least an hour or so before we do anything else. This is one joint that we definitely do not want to comprimise, as it is very important to the integrity of the neck.
It looks good and love to see this parlor guitar once it complete. I love parlor guitars as these guitars are small in size and have melodious sound.
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